Finding Renewal, or, "Self Care 101"

My tools for self-care Self-care. The word sounds a bit stiff, as if someone who liked the meaning of the two words separately, put them together and ended up with less than when they began.

Many times, this essential, bottom line topic is trivialized and minimized so that we keep it at a distance. Frequently, at a healthcare conference, it is the last topic of the day. You are filled to the brim with useful information and ideas, you’re ready to call it a day, and with a scant half hour to go, the moderator gets up to speak on self-care.

The advice is boiled down, then offered up like overcooked vegetables: Remember to breathe. Eat well. Sleep. Rest-- and of course, exercise. All good advice, but how many of us are listening?

We need to be more resourceful in how we look at self-care. It is, in fact, a form of treatment. Vital word: as in therapy, remedy, cure, to care for. Rather than leaving it to chance and the final scraps of the day, I propose that we look at caring for ourselves as if we were a patient or client under our own care. We need to assess ourselves as carefully as we would that patient.

I like to remember quotations I learned in college. One that stands out is from Shakespeare’s Hamlet: “This above all… To thine own self be true.”

I understand Shakespeare's words to mean, in this context, that each of us finds unique ways of getting whatever we need to redeem ourselves. Those ways are going to be different for each person, just as the course of treatment for the same disease can be different for each patient enduring it.

As I thought about it, I realized there were at least two levels of need for self-care—immediate response to a potentially overwhelming crisis and those activities that we can pursue in abundance, say when on vacation.

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One of my tried and true "emergency" treatments is to resuscitate myself with a cup of tea. Taking those few minutes allows my thoughts to settle and often, I regain the clarity and energy I need to meet the next wave of challenges.

If each person reading this blog wrote down all the things they do to care for themselves when they do have time, the list might be very long: making art, running, yoga, getting together with friends, reading, rock climbing, going to a movie, listening to music, swimming, dancing, hiking, hitting the beach, etc.

There may also be an intermediate level of self-care. We want to create ways to sustain ourselves while at, or after work, --an ongoing renewal-- when we don’t have the opportunity to travel to our favorite get away or sanctuary for a few days.

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Recently, I presented a workshop on self-care to our Child Life Specialists Network of Sacramento, in which I shared many of these ideas with them.

Afterwards, I introduced and led them through a SoulCollage® workshop; a wonderful and pretty quick route to renewal. We looked right into the heart of the matter: “What sustains me? What nourishes me?”

The results were astonishing. Many participant's artwork revealed aspects of themselves not readily seen. Many uncovered feelings that may have lain hidden, unexplored or simply forgotten.

One of the most surprising results was my own collage. Initially I thought it must have come from my silly side, the side that remembers the theme music from Captain Kangaroo, or spontaneously makes up nonsensical songs. What I realized the next day though, was that in fact, the dancers in their rabbit costumes extolled the power of partnership as a means to self-care. For those introverts among us, we sometimes forget that a powerful form of renewal is to share the company of others.

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Summer Fruit

Shift 5, ©2014, 12" x 12," Monoprint on panel The purple figs in the alley were ripe last week, dropping all over the street and and I wondered why I hadn't noticed them sooner.

Why, when something is almost right in front of our eyes, don't we take notice? There are all kinds of answers, but I've been thinking about this one: What if we're just suffering from "habitual landscape," stuck in a fixed framework, unaware of the bigger picture?

I've been pondering a similar situation in my life: Summer. After moving to Davis, CA some years ago, I began to long for a way out of summer. The sun is hot and and the air is dry--the temperature can sit on us over 100 for days on end. Like today: forecast:101 degrees.

For one reason and another, our family rarely leaves the valley during these extreme months. Frustrated, I imagined vacations in Maine or British Columbia.

I realized I have a perennial problem: without a surplus of money and bonus time, how do I find acceptance for where I am? Like the preschoolers on a recent NPR report, I decided to opt for flexible, fluid thinking. I was struck by Michelle Trudeau, the author of the report's words:

Children try a variety of novel ideas and unusual strategies to get the gadget to go. For example, UC Berkeley psychologist, Alison Gopnik says, "If the child sees that a square block and a round block independently turn the music on, then they'll take a square and take a circle and put them both on the machine together to make it go, even though they never actually saw the experimenters do that."

This is flexible, fluid thinking — children exploring an unlikely hypothesis. Exploratory learning comes naturally to young children, says Gopnik.  Adults, on the other hand, jump on the first, most obvious solution and doggedly stick to it, even if it's not working. That's inflexible, narrow thinking. "We think the moral of the study is that maybe children are better at solving problems when the solution is an unexpected one," says Gopnik. --Preschoolers Outsmart College Kids in Figuring out Gadgets

I decided to try and solve my problem by diving deeper into the very environment that frustrates me. Thus began my "Shift" series; a monoprint series using plants gathered within my immediate surroundings; first in my own back yard and then, broadening out to my neighborhood and beyond.

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Initially, the process felt abstract and remote, but soon enough, I became an avid collector of the most common plant species in my neighborhood; what one gardener described as "top 40" plants. Top 40 or no, it didn't seem to matter. Their shapes made elegant tracings in the acrylic paint and their signatures on the paper made me want to stay in the studio and do more and more.

Soon, I had a collection of prints; postcards of my explorations, but I also noticed that my attitude had changed. I was no longer trapped in the heat of the Central Valley. Instead, I was released into my own ongoing exploration/vacation.

These days, I'm taking those prints and cutting them up, piecing together collage prints. It's still hot and I still spend only the early morning hours outdoors, but instead of Maine, the studio is now my refuge.

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In Praise of Journaling

Monoprints based on recent journal ideas. Not long ago, I rediscovered my journal. I can't say that I ever really left it, but I was definitely peripatetic. What a great word! Peripatetic means traveling from place to place, especially working in various places for relatively short periods of time. Well, I travel all right, but for a number of years, my journal stayed home.

In a recent art class, the teacher emphasized the value of writing in order to process ideas about artwork. "I know, I know," I thought to myself. I say the same thing to the art therapy groups I facilitate; "journaling is an excellent way to process grief."

Upon hearing this truth again, I felt resistance. "I process what I'm working on in the studio as I walk back and forth along the corridors of the hospital. It's a great place to sort out ideas," I thought.

The thing is, whenever I feel resistance, I know there might be something good and juicy hiding behind my resistance.

I began journaling at age 16 in a poetry class, and I took to it as a tool of comfort during the storms of late adolescence--then the trials of graduate school--then the late nights of early motherhood. Later, as the kids got older, the kind of non-stop thinking it took to keep them on track and still do my artwork didn't leave a lot of time for writing.

Do you remember Dr Seuss' "Oh the Places You'll Go?" Here's my moleskine mini, ready for travel.

But the yearning to journal never left. I needed to find my way past, through, around my resistance. Recently, on the Jewish holiday of Shavuot, I saw my opportunity.

In her excellent blog, Rabbi Yael Levi says of Shavuot: "The journey began with Passover and the acknowledgment of our narrow places—the habits of mind, body and spirit that kept us bound and unable to move forward into our lives.  Passover implored us to imagine a leap into the unknown, to find the willingness to leave behind what had enslaved us.

This journey continued into the Counting of the Omer. For 49 days we counted each day calling forth the healing and discovery that comes through awareness...How do we live from the experiences of this time?

As Shavuot ends... we are urged to take on practices that will keep the fire burning. So we listen and wonder: What is a commitment to practice I can make?"

Journal in situ

I leapt and decided to write in my journal each day. And I noticed when I did that, things began to fall into place in unexpected ways. For me, thinking by itself cannot produce the multiplicity of solutions needed when I try to solve a problem of imagination, creativity or technique. It is the physical act of writing that enables my brain to connect from one thought to another and from there, to a whole cluster of ideas.

I haven't kept my resolution perfectly--but I've kept it enough. Enough that I now recognize my worn black Moleskine as a friend and confidant. Enough that I now invite my worn, black Moleskine over a cup of tea and a talk.

Of Figs and Gelli Plates*

Shift 3, ©2014, 30" x 24," Monoprint I've been on a tear the last couple months, collecting all kinds of plant specimens that grow around my house, sorting them and then printing them using a gelli plate.

From left: Manzanita, rose, oak, alstromeria, oleander, nandina, and upper right, a sprig of creeping hydrangea

I'd taken some professional leave during that time which  allowed me to dig deep. I had a blast and a taste of what it might be like to dedicate myself to my art work full time.

And something happened--something to do with the gelli plate. For some time I've wanted to work larger, but couldn't find the vehicle. The gelli plate in all of its simplicity turned out to be just the ticket.

Its innocuous presence (so not intimidating), the squish of the brayer as it rolls out ink, the sucking sound as the paper is pulled away from the print, and the surprise of lines and curves and color; all are a sensual pleasure that I can wade in for hours.

The biggest discovery was learning how to curate the prints once they were completed, i.e., discovering a way to put them together. I like to lay them all out on the table and play with them, moving the contenders in and out of place until I feel that internal tug that says: "this is it."

Shadows of Nandina falling on Nandina prints

Although I'll be working full time at the hospital this summer, I'm looking forward to the weekends, filled with buzzing insects, sleeping cats, and gelli prints of summer flora. Perhaps a frozen yogurt at the end of a studio day.

Oh, and did I mention, the ripening figs? Nothing like them when inspiration is needed!

Looking forward to these!

*My apologies for sending out 2 versions; I accidentally hit the publishing button while editing:-)

 

 

Art Therapy Alliance's 30 Day Art Therapy Facebook Hop Starts June 1

Gretchen Miller of Art Therapy Alliance has come up with a creative way to promote connection between art therapists nationally and internationally. For the next 30 days, beginning June 1st, you can hop from one Art Therapist's Facebook page to another, crossing international borders and gathering inspirations, all without the aid of a passport! My own Facebook page, Hannah Klaus Hunter-Artist, will be featured on June 3rd. To find out more, Gretchen's description of the event below:

Art Therapy Alliance’s 30 Day Art Therapy Facebook Hop Starts June 1

Beginning June 1st, I will be hosting a 30 Day Art Therapy Facebook Hop through the Art Therapy Alliance’s community page. Each day of the month will feature a different art therapy Facebook Page I’ve selected from all over the world!

30 Day Art Therapy Facebook Hop | Art Therapy Alliance My hope is that this month long collaborative effort will increase the visibility of art therapy across Facebook. Not only is this a fun way to use social media to promote art therapy, but more importantly, an awesome opportunity to support & celebrate the work of art therapists and strengthen our Facebook community dedicated to this field!

Pages chosen for this Art Therapy Hop are all administered by art therapists or art therapy students with an interest in sharing their own work, program, art expression, or ideas and content they are passionate about and inspired by.

To join in on the hop, just head to Hop Headquarters on Facebook everyday in June to learn more about and get inspired by the page being featured. And don’t forget to “like” their page if you want to stay connected to future updates!

30 Day Art Therapy Facebook Hop | Art Therapy Alliance

 You can also follow this 30 Day Art Therapy Hop on Pinterest and Twitter!

Enjoy & Happy Hopping!

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Are you an art therapist or art therapy student with your own art therapy related Facebook Page?  I would love to learn more about it and share it with the Art Therapy Alliance community during this month!  E-mail me at info@arttherapyalliance.org with your link and a brief description before June 30 for consideration!

30 Day Art Therapy Facebook Hop | Art Therapy Alliance