Bridging the Gap

I've been tucked into my studio for the last couple months, drawing jade plants, diverse succulents, taking notes and obsessively printing gelli prints. I’ve filled a notebook, and in the process, found a rhythm and perhaps some answers to a problem I've been trying to solve.

For the past couple of years, I've worked on a series called Shift, in which I explored my ecological niche of Davis. As the series progressed, I became more interested in the unusual shapes of plants I found visiting various botanical gardens. I began another series of collage works I called Botanical Dreams, inspired by the 30 paintings in 30 days  challenge presented by Leslie Saeta.

I’ve wanted to continue this series and I wanted to wed the monoprints of Shift with the collage, but after several months of trials and lots of recycled prints, I think I’m trying to make an arranged marriage. Shift needs to be one series and Botanical Dreams another.

As I write this, I realize that actually, I'm the bridge. I think that it's hard to leave the safety of a known series and decamp to another largely unknown territory, but the connection lies simply in my own two hands.